Rachel Nicholls’s Brünnhilde, slim and slender-toned, rapturously nuanced in the “Siegfried Idyll” passage of the final duet, continues to rise as a lyrical Wagnerian heroine.
The Times, Hugh Canning
Rachel Nicholls’s Brünnhilde, slim and slender-toned, rapturously nuanced in the “Siegfried Idyll” passage of the final duet, continues to rise as a lyrical Wagnerian heroine.